exhibition

[Solo Exhibition] Takao Ono Exhibition @ Miurajiro Gallery

【個展】小野隆生展(Takao Ono)@みうらじろうギャラリー

Takao Ono Exhibition

I visited the Takao Ono Exhibition being held at Miurajiro Gallery.

It is an exhibition that grew out of Miurajiro Gallery’s wish: “We want people to get to know the artist Takao Ono.”

Takao Ono is a painter who has lived in Italy since 1971 and continues to work there.
He graduated from the painting department of the Central Institute for Restoration in Rome (Istituto Centrale del Restauro).
Until 1985 he was also involved in restoring paintings held by museums throughout Italy as well as church murals.
Unlike portraits that depict real, existing people, Ono’s paintings might best be described as figure paintings rendered freely through the painter’s own sensibility. By contrast, in his strange still lifes — where only hats, shoes, and garments are painted as a single motif — an eerie sense of loss is implied, a projection of the absence of the human being.
For this exhibition, we mainly present works produced from the 1970s to the 1990s held by our gallery and by the collector Kiyoshi Koizumi.

I first came to know Takao Ono’s work at Kiyoshi Koizumi’s collection exhibition; captivated by the overwhelming power of the works, I found myself deeply drawn to them — and that was how it all began.

https://art-on.jp/collector-kiyoshi-koizumi-2018/

 

 

The Twelve-Year-Old Fiancée (1987), oil tempera on canvas, 100.0x70.0 ※Koizumi Collection
The Twelve-Year-Old Fiancée (1987), oil tempera on canvas, 100.0×70.0 ※Koizumi Collection

The Fiancée (1986), oil tempera on canvas, 100.0x70.0 ※Gallery Collection (5,400,000 yen)
The Fiancée (1986), oil tempera on canvas, 100.0×70.0 ※Gallery Collection (5,400,000 yen)

Mr. Miura of the gallery, too, began collecting after hearing about it from Mr. Koizumi.
Mr. Miura of the gallery, too, began collecting after hearing about it from Mr. Koizumi.
Portrait (1991), oil tempera on canvas, 80.0x60.0 ※Gallery Collection (810,000 yen)
Portrait (1991), oil tempera on canvas, 80.0×60.0 ※Gallery Collection (810,000 yen)

The Lost Day / IL GIORNO PERDUTO (1976), oil on canvas, 43.2x24.3 (F4) 237,600 yen
The Lost Day / IL GIORNO PERDUTO (1976), oil on canvas, 43.2×24.3 (F4) 237,600 yen

 

On a Birthday / COMPLEANNO (1976), oil on canvas, 27.5x22.3 (F3) 216,000
On a Birthday / COMPLEANNO (1976), oil on canvas, 27.5×22.3 (F3) 216,000

The work that impressed me most that day was “The Calendar with the Dates Erased.” The lines of the body and clothing are kept to a minimum, and the colors used are few, so at first glance the palette looks plain — yet a profound, indescribable atmosphere flows through it.

The Calendar with the Dates Erased (1987), oil tempera on canvas, 80.0x60.0
The Calendar with the Dates Erased (1987), oil tempera on canvas, 80.0×60.0

The colors are very gentle and the brushwork careful. He is an artist with a proven track record, having been active in Italy as a restorer.

Although it is a work from about thirty years ago, it was in excellent condition and beautifully preserved.
Although it is a work from about thirty years ago, it was in excellent condition and beautifully preserved.

Image 4-2004 (2004), charcoal on paper, 40×30, 108,000 yen
Image 4-2004 (2004), charcoal on paper, 40×30, 108,000 yen
Drawing (1984), pencil on paper, 40.0x30.0, 162,000 yen
Drawing (1984), pencil on paper, 40.0×30.0, 162,000 yen
Portrait 96-2 (1996), tempera on canvas, 40.0x30.0 324,000
Portrait 96-2 (1996), tempera on canvas, 40.0×30.0 324,000
I could make out the extremely careful traces of the brush.
I could make out the extremely careful traces of the brush.
Figure Portrait — Face (1983), oil tempera on canvas, 22.5x16.0 (SM) 237,600
Figure Portrait — Face (1983), oil tempera on canvas, 22.5×16.0 (SM) 237,600

 

Perspective in the Dead of Night (1974), oil on canvas, 19.3×39.0 ※Koizumi Collection
Perspective in the Dead of Night (1974), oil on canvas, 19.3×39.0 ※Koizumi Collection

 

Fragment of an Erased Cipher (1991–92) / Beautiful Country Italy (1991) ※Koizumi Collection
Fragment of an Erased Cipher (1991–92) / Beautiful Country Italy (1991) ※Koizumi Collection

In closing

The number of works may have been small, but it was a precious opportunity to slowly take in the portraits that are Takao Ono’s true forte.

This exhibition was realized thanks in part to Mr. Koizumi’s cooperation. It was a wonderful occasion. Jiro Miura of Miurajiro Gallery also offered his commentary with exquisite timing, making for a supremely comfortable time. Many thanks!

 

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