Art Fair

[Photography Festival] I Visited "Daikanyama Photo Fair 2018" — Great Expectations for the Future!

【写真の祭典】「代官山フォトフェア2018」に行ってきた。〜今後に期待!

Daikanyama Photo Fair 2018

I visited “Daikanyama Photo Fair 2018,” an art fair for the photography world. The venue was Hillside Forum in Daikanyama.

Courtesy of Fine-Art Photography Association, Photo: Kenji Takahashi
Courtesy of Fine-Art Photography Association, Photo: Kenji Takahashi

“Daikanyama Photo Fair 2018” is an event organized by the Fine-Art Photography Association. It began in 2014, and this was its fifth iteration. In addition to domestic galleries, bookstores, and publishers, a variety of exhibitors from both Japan and overseas took part.

Mao Ishikawa — nap gallery
Mao Ishikawa — nap gallery
Yurie Nagashima — MAHOKUBOTA GALLERY
Yurie Nagashima — MAHOKUBOTA GALLERY

Installation view — Courtesy of Fine-Art Photography Association, Photo: Kenji Takahashi
Installation view — Courtesy of Fine-Art Photography Association, Photo: Kenji Takahashi
Installation view — Courtesy of Fine-Art Photography Association, Photo: Kenji Takahashi
Installation view — Courtesy of Fine-Art Photography Association, Photo: Kenji Takahashi

Noriaki Yokosuka, "Silver Light Incident"
Noriaki Yokosuka, “Silver Light Incident”
Shigeo Anzai
Shigeo Anzai

AKI INOMATA, "Why Not Hand Over a Shelter to Hermit Crabs?"
AKI INOMATA, “Why Not Hand Over a Shelter to Hermit Crabs?”
AKI INOMATA, "girl, girl, girl…" and "Why Not Hand Over a Shelter to Hermit Crabs?"
AKI INOMATA, “girl, girl, girl…” and “Why Not Hand Over a Shelter to Hermit Crabs?”
Galerie Max Mayer
Galerie Max Mayer

There were also works using intriguing photographic techniques. One was the daguerreotype, a process that uses a silver-plated sheet as the light-sensitive material.

Yoko, "untitled" — a daguerreotype work.
Yoko, “untitled” — a daguerreotype work.

Sales Booths

Installation view
Installation view
Courtesy of Fine-Art Photography Association, Photo: Kenji Takahashi
Courtesy of Fine-Art Photography Association, Photo: Kenji Takahashi

Booths were divided by gallery, and the photobook sales area was especially bustling.

There seemed to be plenty of hidden gems on offer, and the space was full of buyers.

I even spotted a rare Ryan McGinley photobook.
I even spotted a rare Ryan McGinley photobook.

Venue-exclusive special editions and limited-edition works by artists such as Yoshitomo Nara and Ayaka Yamamoto were also planned and sold on site.

Collection Exhibition

Another venue hosted a collection exhibition featuring four artists.
The four were Risaku Suzuki, Takashi Homma, Yoshitomo Nara, and “Designer I” (identity unknown).
Each of their collected works was on display, giving us the chance to encounter many wonderful pieces.
That said, the true identity of “I” was intriguing. When I asked one of the organizers, they told me it was “a fictitious designer from the 1970s.” Can any of you guess who?

Hillside Plaza, the venue for the collection exhibition
Hillside Plaza, the venue for the collection exhibition
General photography inside the venue was not allowed. Courtesy of Fine-Art Photography Association, Photo: Kenji Takahashi
General photography inside the venue was not allowed. Courtesy of Fine-Art Photography Association, Photo: Kenji Takahashi

Summary

For camera enthusiasts and photography fans, this must be a prime opportunity. I purchased several works myself, and there were many collectors on hand — I witnessed several actual sales in progress.

On the other hand, the venue’s space limited the fair to a relatively small scale, which seemed to be a bottleneck. With a larger venue, one could imagine spaces for photographers and viewers to interact, larger display areas for the works, and programs that make it easier for students to participate — the fair could be pushed toward wider and livelier engagement.
The admission fee also felt slightly on the expensive side.

In an era in which smartphones have brought photography ever closer to everyday life, young photographers keep emerging and attracting attention. I look forward to initiatives that can further elevate photography as an art form.

Overview

Dates: September 28 (Fri) – 30 (Sun), 2018
Hours: 11:00 – 21:00 (until 17:00 on the final day)
Venue: Daikanyama Hillside Forum, Hillside Plaza
Admission: General 1,500 yen / Students 1,000 yen
Organizer: Fine-Art Photography Association
Sponsors: JINS Inc., Recruit Holdings Co., Ltd. Guardian Garden, Shiseido Co., Ltd., Nihombashi Mitsukoshi Main Store, Brooklyn Brewery, Primus Co., Ltd.
Cooperation / Support: Embassy of France in Japan / Institut français du Japon, Daikanyama Shotenkai, On the Hill General Incorporated Association, Hillside Terrace, Tokyo Photographic Art Museum
Media Partner: IMA
Participating Galleries: EMON PHOTO GALLERY, G/P gallery, hiromiyoshii, MAHO KUBOTA GALLERY, MEM, nap gallery, PGI, Taka Ishii Gallery, Taka Ishii Gallery Photography / Film, twelvebooks, Yuka Tsuruno Gallery, Yutaka Kikutake Gallery, ZEN FOTO GALLERY, and about 30 galleries in total.

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