exhibition

[Solo Show] A Portrait Artist with Stillness and Motion Living Side by Side - Naritaka Sato "DUAL" @ Minna no Gallery

【個展】静と動が同居した勢いのある肖像画作家〜佐藤誠高「DUAL」@みんなのギャラリー

I visited Naritaka Sato’s solo exhibition “DUAL”. The venue is Minna no Gallery in Ueno.

"Minna no Gallery", located on the second floor of a facility with a warm wooden atmosphere
“Minna no Gallery”, located on the second floor of a facility with a warm wooden atmosphere

As expressed in the show’s title “DUAL”, the exhibited works give shape to the duality of the human being.
Having graduated from the design course at Tokyo University of the Arts,

Installation view of Naritaka Sato "DUAL"
Installation view of Naritaka Sato “DUAL”
A small piece using the Yoshida Cabinet as motif, satirising the double face of politicians
A small piece using the Yoshida Cabinet as motif, satirising the double face of politicians

The works are built on a base of pencil drawing, over which acrylic paint is layered so as to cover the central part of the face.

"Party", 2018, acrylic, pencil, paper, wooden panel
“Party”, 2018, acrylic, pencil, paper, wooden panel
"Party" (detail): shadows anticipating the paint to be layered over the upper part of the mouth are drawn in advance.
“Party” (detail): shadows anticipating the paint to be layered over the upper part of the mouth are drawn in advance.
"Complete Woman", 2018, acrylic, pencil, paper, wooden panel
“Complete Woman”, 2018, acrylic, pencil, paper, wooden panel

The pencil drawing sections are highly detailed, suggesting formidable draftsmanship.

"Complete Woman" (detail): strong draftsmanship
“Complete Woman” (detail): strong draftsmanship
"Complete Woman" (detail): beneath the layered paint, the drawing is worked up to a considerable degree.
“Complete Woman” (detail): beneath the layered paint, the drawing is worked up to a considerable degree.

Many of the subjects that appear in the works are apparently fashion models gathered from the Internet.

Installation view of Naritaka Sato "DUAL"
Installation view of Naritaka Sato “DUAL”
"Serious Girl", 2018, acrylic, pencil, paper, wooden panel - also used on the DM
“Serious Girl”, 2018, acrylic, pencil, paper, wooden panel – also used on the DM
"Yalta", 2018, acrylic, pencil, paper, wooden panel
“Yalta”, 2018, acrylic, pencil, paper, wooden panel
"Cerebration", 2018, acrylic, pencil, paper, wooden panel
“Cerebration”, 2018, acrylic, pencil, paper, wooden panel
Installation view of Naritaka Sato "DUAL"
Installation view of Naritaka Sato “DUAL”

The only oil painting in the show is a 2016 work.

"Portrait of a Woman 3", 2016, oil on canvas
“Portrait of a Woman 3”, 2016, oil on canvas

 

Perhaps it is precisely when things we would normally see are presented as invisible that we can imagine the truth beneath the surface.

Above precise drawings, the paint moves with an almost violent momentum. The work evokes the duality we all unconsciously perform, and seems to carry an important realization within it.

The writer felt compelled to have his own portrait painted.
To have my current self faithfully copied, and then over that to have paint negate the current self as if to destroy it – to see, through this act of overwriting, the “DUAL” self existing there, a new self… such was the impulse that came over me.

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