exhibition

[Group Show] Tokyo University of the Arts, Oil Painting Course, 3rd-Year Students "NI/O" @3331 Arts Chiyoda

【合同展】東京藝術大学 油画専攻3年生「NI/O」@アーツ千代田3331

Tokyo University of the Arts 3rd-Year Show

I visited “NI/O,” the exhibition by third-year undergraduates of the Oil Painting Course, Department of Painting, Faculty of Fine Arts, Tokyo University of the Arts.
Personally, I prefer the third-year show to Geidai’s graduation exhibition, and I always look forward to it. The previous third-year show comes back to me fondly.

That’s because, while following the work of students who caught my eye at Geisai or the promotion exhibitions, I often find works from their third year that feel somehow free and unconstrained.
By the fourth-year “graduation exhibition,” I often sense a certain tension — as if the collars have been straightened — and I find myself, as a viewer, also becoming a bit too tense (this may just be my personal impression).

The venue is the main gallery of "3331 Arts Chiyoda"
The venue is the main gallery of “3331 Arts Chiyoda”

NI/O

This third-year show is set within a fictional city called “NI/O.”
“NI/O” is an abbreviation of New Input/Output, carrying the meaning of a city that repeatedly metabolizes as new objects and events are brought in and taken out. Beyond the individual works, the shape of the city that emerges through the collisions and collaborations among its inhabitants is also a highlight of this exhibition.

Entrance to the venue
Entrance to the venue
"NI/O" venue layout MAP
“NI/O” venue layout MAP

Each student presented their work as if recreating their own studio within an assigned section.

Right at the entrance is Daichi Igarashi. His largest work, , was striking.
Right at the entrance is Daichi Igarashi. His largest work, , was striking.
Vivid works by Honoka Okuyama
Vivid works by Honoka Okuyama
Honoka Okuyama — her beautiful yellow-green was striking.
Honoka Okuyama — her beautiful yellow-green was striking.
Shimon Matsumori's bold decision to express poop in both two and three dimensions.
Shimon Matsumori’s bold decision to express poop in both two and three dimensions.
Masato Kobayashi critiquing Sora Kinoshita. A moment that felt just like a promotion review.
Masato Kobayashi critiquing Sora Kinoshita. A moment that felt just like a promotion review.
Moeko Suzuki
Moeko Suzuki
Hisanori Haraguchi's . Still in production.
Hisanori Haraguchi’s . Still in production.
Keiichi Tatsumura .
Keiichi Tatsumura .
Work by Sonoko Inoue
Work by Sonoko Inoue
Installation view
Installation view
Fumika Kimura Material: 31.2 L of water (the artist's total body water volume)
Fumika Kimura <Replacing all the water in my body> Material: 31.2 L of water (the artist’s total body water volume)
Hidema Otomo
Hidema Otomo
Kaho Abe.
Kaho Abe.

Peeking into a work installed at 2 m height — climb the stairs to see it.
Peeking into a work installed at 2 m height — climb the stairs to see it.
Each studio took on its own form.
Each studio took on its own form.

Last year’s third-year show “Mirage” gave me the impression of many orthodox painting works, but this year’s “NI/O” leaned more toward contemporary art.

The residents of the city each brought change in a competitive spirit, but compared to last year’s golden generation, it was a shame that no work particularly caught my attention this time.

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