exhibition

[Solo Exhibition] The Freedom Created by Combination — Toshiko Okanoue "Miracles of Silence" @ Tokyo Metropolitan Teien Art Museum

【個展】組み合わせの自由が創る〜岡上淑子「フォトコラージュ 沈黙の奇蹟」@東京都庭園美術館

Toshiko Okanoue “Miracles of Silence”

I visited Toshiko Okanoue’s solo exhibition “Miracles of Silence.” The venue is the Tokyo Metropolitan Teien Art Museum in Meguro, Tokyo.

The Tokyo Metropolitan Teien Art Museum, surrounded by beautiful gardens
The Tokyo Metropolitan Teien Art Museum, surrounded by beautiful gardens
A solo exhibition by Toshiko Okanoue, who is turning 91 years old.
A solo exhibition by Toshiko Okanoue, who is turning 91 years old.

Toshiko Okanoue is an artist renowned for her works using the collage technique.

Upon entering the venue, an explanation like this is written on the wall.
Upon entering the venue, an explanation like this is written on the wall.

Her works, created by cutting out photographic materials from 1950s foreign magazines such as TIME, LIFE, and Vogue, were highly acclaimed, and she was discovered by Shuzo Takiguchi, who led the Surrealist movement in Japan.

サhttps://art-on.jp/2018/09/shuzo-takiguchi/

Toshiko Okanoue, "Night Visit," 1952
Toshiko Okanoue, “Night Visit,” 1952
Correspondence with Shuzo Takiguchi — various related materials are on display in this exhibition.
Correspondence with Shuzo Takiguchi — various related materials are on display in this exhibition.
Toshiko Okanoue, "Miracles of Silence," 1952
Toshiko Okanoue, “Miracles of Silence,” 1952
There was strong affinity with the refined interior of the Tokyo Metropolitan Teien Art Museum.
There was strong affinity with the refined interior of the Tokyo Metropolitan Teien Art Museum.
Toshiko Okanoue, "Invitation," 1955
Toshiko Okanoue, “Invitation,” 1955
Display of paper patterns — since Toshiko Okanoue had studied dressmaking, she had habitually engaged in the practice of "cu…
Display of paper patterns — since Toshiko Okanoue had studied dressmaking, she had habitually engaged in the practice of “cutting with scissors.”

Regarding “fashion,” an important keyword in Toshiko Okanoue’s practice during the 1950s, classic dresses from that era were also on display.

Left: Christian Dior, "Evening Dress," 1952Right: Cristóbal Balenciaga, "Cocktail Dress," 1955
Left: Christian Dior, “Evening Dress,” 1952
Right: Cristóbal Balenciaga, “Cocktail Dress,” 1955
Collage: the borrowing of the works of others. Scissors and a bit of glue.
Collage: the borrowing of the works of others. Scissors and a bit of glue.
Toshiko Okanoue, "A Dark Holiday," 1953
Toshiko Okanoue, “A Dark Holiday,” 1953
Installation view — Tokyo Metropolitan Teien Art Museum
Installation view — Tokyo Metropolitan Teien Art Museum
Toshiko Okanoue, "Change of Heart," 1953
Toshiko Okanoue, “Change of Heart,” 1953
Toshiko Okanoue, "Fall," 1956
Toshiko Okanoue, “Fall,” 1956
The museum shop, lined with catalogs and postcards from the exhibition
The museum shop, lined with catalogs and postcards from the exhibition

Works composed of photographs cut out and combined — created in the chaotic postwar era, when the status of women was surely different from today. With fashion as one of its pillars, the force emanating from these works carried the sense of energy stored within silence.

This exhibition includes many pieces from the collection of the Museum of Fine Arts, Houston in the United States.
It is a precious exhibition gathering a wide variety of collage works.

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