exhibition

[Geidai Diploma Works] Standout Pieces from the 67th "Tokyo University of the Arts Diploma Works Exhibition"

【藝大・卒展】第67回「東京藝術大学卒業・修了作品展」印象的な作品まとめ

It’s a roundup of the works that caught my eye at the Tokyo University of the Arts diploma exhibition held in January 2019.

Yuki Yano

Yuki Yano, a graduate student in the Oil Painting Technical and Material Research Lab. He kindly walked me through his work in person: the piece featuring Bakabon’s Papa is layered with a range of messages. The theme is “the cycle of life.” Godzilla appears as a metaphor for nuclear energy. The composition traces a path from the windmill in the lower right, through anthropoids and Bakabon, all the way to the sperm implanting itself on the moon.

"Even When I Try to Forget I Cannot Remember; Even When I Cannot Remember I Do Not Forget"
“Even When I Try to Forget I Cannot Remember; Even When I Cannot Remember I Do Not Forget”

Mutsumi Myojin

The monochrome works, unified in tone, saw their contrast further dissolved by the dimmed classroom lighting — and yet the sheer force of the work still came through with striking power.

"ASABIKESHINH:dreamcatcher"
“ASABIKESHINH:dreamcatcher”

Yang Bo

“river,” a paired work, brings past and future into intersection. The staging of the piece, which drew the viewer’s gaze in, was particularly well-handled.

Yang Bo, "river"
Yang Bo, “river”
Yang Bo, "river"
Yang Bo, “river”

Chihiro Inui

Chihiro Inui from the Casting Lab at the Tokyo University of the Arts. Her work stacks up the positions and titles she has been given, and then, through her own face hidden behind a mirror, poses a question back to the viewer.

A hook to invite viewers to post on social media with the tag "#TheWorldBeyondMyTitle"
A hook to invite viewers to post on social media with the tag “#TheWorldBeyondMyTitle”
Chihiro Inui, "invisible enclosure"
Chihiro Inui, “invisible enclosure”

Anna Ochiai Scripcariu

Anna Ochiai Scripcariu, from the Global Art Practice program (GAP) in the Graduate School of Fine Arts, presented a massive installation measuring 9m × 8m × 2m. The piece offers a range of insights through the viewer’s own bodily experience. A deeply artistic work carrying its own message.

"PAST, PRESENT, EAST, WEST"
“PAST, PRESENT, EAST, WEST”

Manami Numata

From the Oil Painting Lab.

The sheer volume of information packed into the piece, together with the quality and quantity of her mark-making, felt as though a great range of different labors had all been laid down onto the canvas.

A Song of a Hundred Generations' Pilgrimage
A Song of a Hundred Generations’ Pilgrimage

Risa Saito

Risa Saito’s work had a real depth to it — rich, resonant, and one of the most memorable of the show.

Risa Saito
Risa Saito

Natsuki Okada

Natsuki Okada, from the Design Department, hand-built almost the entire self-propelling motorbike himself (the engine was a swap). It was one of the standout draws in the exhibition space.

Natsuki Okada, "ORIGIN NV-00"
Natsuki Okada, “ORIGIN NV-00”

Akina Mihara

Mihara, from the Oil Painting Department, showed work with real impact.

The students and works highlighted here are only a small selection.
The fourth-year Oil Painting Department’s diploma show “Scale” is covered separately below.

 

Individual features on other students are collected here as well.

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