exhibition

[Solo Exhibition] Atsushi Fukui "Arcadian" @ Tomio Koyama Gallery

【個展】福井篤 「アルカディアン」@小山登美夫ギャラリー

Atsushi Fukui “Arcadian”

I visited Atsushi Fukui’s solo exhibition “Arcadian.” The venue is Tomio Koyama Gallery in Roppongi.
This is Fukui’s seventh solo exhibition at Tomio Koyama Gallery — clearly a long-standing relationship.

Atsushi Fukui "Arcadian" — installation view of the front room
Atsushi Fukui “Arcadian” — installation view of the front room

The exhibition’s title, “Arcadian,” can be interpreted as the inhabitants of a utopia; Fukui’s works seem to depict a world that exists within a story.
The works on view are based on the theme “If open contact between Earth and extraterrestrial civilizations had occurred one hundred years ago, the world might have become far freer and more full of wonder.”

Atsushi Fukui, Iemuria 012, 2019, acrylic on canvas
Atsushi Fukui, Iemuria 012, 2019, acrylic on canvas

An imaginary world unfolds — a world one hundred years after the fusion of Earth and extraterrestrial civilizations, together with the inhabitants who live there.

Atsushi Fukui, Happie than the morning sun, 2017, acrylic on canvas
Atsushi Fukui, Happie than the morning sun, 2017, acrylic on canvas
Tomio Koyama Gallery — corridor leading to the back room
Tomio Koyama Gallery — corridor leading to the back room

Fukui spent ten years away from art, aspiring to become a musician, and he has deep connections with the music world.
His work can also be found on the jacket art of David Sylvian, formerly of JAPAN.

Atsushi Fukui Left: Something in the Sky, 2019, acrylic on canvas Right: Building in the Sky, 2019, acrylic on canvas
Atsushi Fukui Left: Something in the Sky, 2019, acrylic on canvas Right: Building in the Sky, 2019, acrylic on canvas

Fukui’s works employ a variety of blues, each with a deep tonality. The matière of the acrylic paint is beautiful.

Atsushi Fukui Left: Crystal Mountain, 2019, acrylic on canvas Right: Something in the Sky, 2019, acrylic on canvas
Atsushi Fukui Left: Crystal Mountain, 2019, acrylic on canvas Right: Something in the Sky, 2019, acrylic on canvas
Atsushi Fukui, Path at the Foot of the Mountain, 2019, acrylic on canvas
Atsushi Fukui, Path at the Foot of the Mountain, 2019, acrylic on canvas
Installation view
Installation view
Atsushi Fukui, Cockpit, 2019, acrylic on canvas
Atsushi Fukui, Cockpit, 2019, acrylic on canvas
Atsushi Fukui, Friend, 2019, acrylic on canvas
Atsushi Fukui, Friend, 2019, acrylic on canvas
Atsushi Fukui, Descending the Storm, 2019, acrylic on canvas
Atsushi Fukui, Descending the Storm, 2019, acrylic on canvas

A major feature of the works on view is the shift from Fukui’s previous method — drawing outlines first and then filling them in with color — to an approach in which the outlines are deliberately kept ambiguous.

Atsushi Fukui works out of a base in Yamanashi Prefecture.
Many of the strong works here incorporate motifs from natural landscapes.

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