We visited the Hakujitsu-kai exhibition. This is a society with the impressive history of 95 editions, and the venue was The National Art Center, Tokyo.
Ambitious large-scale works filled the galleries wall to wall, making for an exhibition brimming with volume.
Installation viewDaiki Yamamoto, “In the Forest of Noema”Taiyo Tsue, “This Sky, This Earth”Mio Matsumoto, “Awaiting the Waking”Oka Fukui, “Moonlit Wind”Makoto Ogiso, “Standing Here”Daisuke Mitsutsutsu, “2019”Daisuke Mitsutsutsu, “2019” ※detailLeft: Hiroaki Yoshinari, “Zimmer 306″ Center: Kana Fujii, “The Maiden Within the Glow” Right: Ryuto Tomidokoro, “The Awaited”Installation viewAiichiro Tanaka, “Cutting Through”Kiyoshi Yamada, “Autumn on the Canal”Yutaka Murakami, “Rains, Each Their Own”Installation viewMagoto Katsuno, “Moon and Water”
The exhibition was centered on portraits of women and landscape paintings, offering many works to take in with the eye.
While the realism of the paintings was striking, the sculptures felt somewhat understated by comparison.