exhibition

[Group Exhibition] "ShugoArts Show" featuring Leiko Ikemura, Masato Kobayashi and others @ ShugoArts

【グループ展】イケムラレイコ・⼩林正⼈らによる「ShugoArts Show」@シュウゴアーツ

ShugoArts Show

I visited the “ShugoArts Show” being held at ShugoArts, a gallery in Roppongi.

ShugoArts Show (held from February 16 to April 6, 2019)
ShugoArts Show (held from February 16 to April 6, 2019)

The “ShugoArts Show” is a group exhibition of artists represented by the gallery, and has been held periodically in the past.

Yoriko Takabatake, Blue sky dust, 2018, oil on panel, 142×95cm
Yoriko Takabatake, Blue sky dust, 2018, oil on panel, 142×95cm
Shigeo Toya, Mass of Folds III, 2015, wood, wood ash, acrylic, 60×60×62cm
Shigeo Toya, Mass of Folds III, 2015, wood, wood ash, acrylic, 60×60×62cm

This edition of the ShugoArts Show focuses in the front room on sculpture by Shigeo Toya and previously unreleased prints (recently printed copperplate works derived from a chainsaw-cut sculpture made in 1990), together with new works by Yoriko Takabatake.

Installation view — front room
Installation view — front room

In the back room, early works by Masato Kobayashi — who in December 2018 published the first volume of his three-part autobiographical novel “This Planet’s Paints” — were on view.

Installation view — back room
Installation view — back room

The early works by Masato Kobayashi on view included Scarlet Vermilion and Christmas White, both of which were shown in “Air Battle,” held from 1990 to 1991.

Masato Kobayashi, Scarlet Vermilion, 1990, paint on canvas, 98×195cm
Masato Kobayashi, Scarlet Vermilion, 1990, paint on canvas, 98×195cm

In Scarlet Vermilion, the artist and his model are said to be depicted on the left side.

Masato Kobayashi, Christmas White, 1990, paint on canvas, 181.5×75cm
Masato Kobayashi, Christmas White, 1990, paint on canvas, 181.5×75cm

Christmas White was left out on a balcony, exposed to wind and rain, giving it a deep patina of age.

Masato Kobayashi, Christmas White, detail
Masato Kobayashi, Christmas White, detail

Christmas White has since been framed and stored, but perhaps because it is a work that battled the elements, small fragments that looked like sawdust — as if bits of the support had crumbled away — could be seen scattered in the lower middle of the frame.

Masato Kobayashi, Christmas White, detail
Masato Kobayashi, Christmas White, detail

A rare drawing by the painter Masato Kobayashi was also on display.

Masato Kobayashi, Drawing (#20117), 1995, charcoal on paper, 65.5×50cm
Masato Kobayashi, Drawing (#20117), 1995, charcoal on paper, 65.5×50cm

Shugo Satani was present at the gallery, and I had the opportunity to speak with him.
He shared a great deal about Masato Kobayashi — from behind-the-scenes stories about “This Planet’s Paints” to commentary on the works themselves.

Left: Masato Kobayashi's 1990 solo-exhibition catalogue "Air Battle" (on sale). Right: Masato Kobayashi's book "This Planet'…
Left: Masato Kobayashi’s 1990 solo-exhibition catalogue “Air Battle” (on sale). Right: Masato Kobayashi’s book “This Planet’s Paints”

Also on view were rare drawings from the early 1990s by Leiko Ikemura — currently the subject of her acclaimed solo show “Our Planet — Earth & Stars” at The National Art Center, Tokyo — along with works by Lee Kit and Ritsue Mishima, and paintings on silver supports by Angel Vergara making their ShugoArts debut.

Leiko Ikemura, Untitled, 1990, 42×30cm
Leiko Ikemura, Untitled, 1990, 42×30cm
Left: Yoriko Takabatake, Ground drop #3. Right: Shigeo Toya, Untitled 1
Left: Yoriko Takabatake, Ground drop #3. Right: Shigeo Toya, Untitled 1
Lee Kit, Shave it carefully, 2018, 51.0×69.5cm
Lee Kit, Shave it carefully, 2018, 51.0×69.5cm
Shigeo Toya, Mt. Buko, 2001, 30.6×30.3cm
Shigeo Toya, Mt. Buko, 2001, 30.6×30.3cm
Left: Leiko Ikemura, untitled, 1990. Right: Angel Vergara, individual cloud, 2017
Left: Leiko Ikemura, untitled, 1990. Right: Angel Vergara, individual cloud, 2017

In terms of price, the lineup was clearly in the higher tier.
I contented myself with just viewing the 6.5-million-yen piece, bought the “Air Battle” catalogue for 1,500 yen, and left the venue.

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