exhibition

[Tennoz Takeover] Yusuke Asai's Simultaneous Rollout — the "ANOMALY" Exhibition and a Giant Mural on a Building Wall

【天王洲ジャック】淺井祐介さん同時展開〜「ANOMALY」展覧会と「ビル壁面の大壁画」

Yusuke Asai @ ANOMALY (Tennoz)

Yusuke Asai’s solo show at NADiff Gallery in Ebisu, which ran until recently, drew a strong crowd.

This time I visited the show at ANOMALY (he moved there from URANO), the gallery he now belongs to.
A group exhibition of gallery-affiliated artists titled “Waste Land” was on view, presented in the viewing room — a small space on the gallerist’s office-desk side.

ANOMALY viewing room
ANOMALY viewing room

The Exhibition

This was a modestly scaled presentation.
The centerpiece was a wall-sized display of drawings, with another wall showing ticket-sized small works.

Drawings displayed across the main wall
Drawings displayed across the main wall

Yusuke Asai traveled across the Eurasian continent in 2018.
Russia, Armenia, Georgia, Turkey, Bulgaria, Macedonia, Albania, Montenegro, Croatia, Italy, the Republic of Malta, Spain, France, Germany…
Passing through many countries, Asai recorded the towns and landscapes he encountered at each destination as drawings. This body of work is titled “Daily Records.”

"Daily Records — Sky Lion Devouring the Moon (Bulgaria)," 2018
“Daily Records — Sky Lion Devouring the Moon (Bulgaria),” 2018
"Daily Records — Three-Legged Beast (France)," 2018
“Daily Records — Three-Legged Beast (France),” 2018
Left: "Daily Records — Young Sprout of the Earth (Bulgaria)"Right: "Daily Records — To See What Cannot Be Seen (Japan)"
Left: “Daily Records — Young Sprout of the Earth (Bulgaria)”
Right: “Daily Records — To See What Cannot Be Seen (Japan)”
Original mural sketch: "Tennoz Art Project Plan Drawing (Original)"
Original mural sketch: “Tennoz Art Project Plan Drawing (Original)”
If drawn with mud: "Tennoz Art Project Plan Drawing (Mud Painting)"
If drawn with mud: “Tennoz Art Project Plan Drawing (Mud Painting)”

The ticket-sized works were grouped together beside the gallery reception.
Each piece measures under 10 cm on its longest side and is priced at 28,000 yen (before tax), an accessible entry point.

"Daily Records" — a series of small works drawn on everyday objects such as tickets and seasoning paper bags
“Daily Records” — a series of small works drawn on everyday objects such as tickets and seasoning paper bags
"Daily Records — Waiting for Words to Know Something (Italy)," 2018. H8cm x W4.6cm
“Daily Records — Waiting for Words to Know Something (Italy),” 2018. H8cm x W4.6cm

Properly framed, these pieces gain even more presence.
I purchased one work myself. You can also ask the gallery to arrange framing.
* Asai himself offered to think through the framing.

Footage of the giant mural's production was shown on a monitor.
Footage of the giant mural’s production was shown on a monitor.

TENNOZ ART FESTIVAL 2019

Also on view for a limited run of about one year, until around spring 2020, is a giant mural painted on the wall of a warehouse (Sanshin Warehouse) near Tennozu Isle Station.
It was created as part of the “TENNOZ ART FESTIVAL 2019” program.

The building sits next to a sports ground, so the mural is easy to spot.
The building sits next to a sports ground, so the mural is easy to spot.

The mural measures roughly 32 m tall by 40 m wide. The whole project took 19 days to paint — a major undertaking.
It’s closer to the station than ANOMALY, so it’s about a 5–6 minute walk from the gallery.

Walking up to the building, I looked up — the work is huge!
Walking up to the building, I looked up — the work is huge!
Freshly painted, the mural was in pristine condition.
Freshly painted, the mural was in pristine condition.
Asai's signature is also inscribed toward the lower portion.
Asai’s signature is also inscribed toward the lower portion.

From tiny ticket-sized drawings to a mural tens of meters tall, the full sweep of Yusuke Asai’s world could be taken in across Tennoz.

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