exhibition

[Solo Exhibition] A Worldview Built by a Fictional Western-Style Painter — Yuasa Eboshi "Kyokuba-ko" @ Ginza Tsutaya Books

【個展】架空の洋画家が作る世界観〜ユアサエボシ「曲馬考」@銀座 蔦屋書店

Yuasa Eboshi “Kyokuba-ko”

I visited Yuasa Eboshi’s solo exhibition “Kyokuba-ko.” The venue is Tsutaya Books at GINZA SIX.

Ginza Tsutaya Books Art Wall Gallery (6F exhibition space in front of Starbucks)
Ginza Tsutaya Books Art Wall Gallery (6F exhibition space in front of Starbucks)

Yuasa Eboshi’s profile describes him as a fictional third-rate painter born in the Taisho era, but in reality the artist is a young contemporary who impersonates the character of Yuasa Eboshi and presents work under that persona.

Yuasa Eboshi's profile is written here
Yuasa Eboshi’s profile is written here
Top: oil paintings. Bottom: collage works.
Top: oil paintings. Bottom: collage works.
Installation view
Installation view
Yuasa Eboshi, "Shelter"
Yuasa Eboshi, “Shelter”
Yuasa Eboshi, "Sleeping Target"
Yuasa Eboshi, “Sleeping Target”
Yuasa Eboshi, "Gentlemen's Agreement"
Yuasa Eboshi, “Gentlemen’s Agreement”
Yuasa Eboshi, from the Collector I Series, "Drawing Room"
Yuasa Eboshi, from the Collector I Series, “Drawing Room”

Collage Works

This is a collage series that uses “Shonen Kurabu,” the magazine beloved by children during the war years.

A collage series using "Shonen Kurabu," the magazine Yuasa Eboshi loved as a boy, as its raw material.
A collage series using “Shonen Kurabu,” the magazine Yuasa Eboshi loved as a boy, as its raw material.
Yuasa Eboshi, "Consolation Visit"
Yuasa Eboshi, “Consolation Visit”
Right: Yuasa Eboshi, "Persuasion"
Right: Yuasa Eboshi, “Persuasion”

Roof Tile Series

A newspaper article from December 2016 alongside the work
A newspaper article from December 2016 alongside the work
Yuasa Eboshi, "GHQ portraits" — portraits of GHQ soldiers found painted on roof tiles discovered in recent years
Yuasa Eboshi, “GHQ portraits” — portraits of GHQ soldiers found painted on roof tiles discovered in recent years

Even knowing full well that we’re being tricked, we still dive right into that world ourselves.
The unexpected inventiveness of the Yuasa Eboshi conceit and the sheer fun of the mimicked works taught me yet another way to enjoy art.

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