artist

[Young Painter] The Appeal of Shohei Yamamoto and His Roller-Based "Reiterate" Series

【若手ペインター】山本捷平(Shohei Yamamoto)とローラー作品《Reiterate》シリーズの魅力

Shohei Yamamoto

Painter Shohei Yamamoto’s popular series is created using a distinctive technique involving rollers.

As the roller turns, the projected image becomes increasingly faint with each repetition.
In contrast to the digital process of copy-and-paste, by using an analog, physical method of expression, he incorporates inevitable change and chance into his work.

Shohei Yamamoto, "reiterate -master-," 116.7×91cm, 2019
Shohei Yamamoto, “reiterate -master-,” 116.7×91cm, 2019

Images repeated by the roller are transferred onto a carefully prepared surface.
The paint traces left behind create very subtle and delicate trajectories.
Named “reiterate” — meaning to repeat — this popular series by Shohei Yamamoto has gained strong support.

Kyoto University of Art and Design Graduate School Graduation Exhibition

The first time I met and spoke with Shohei Yamamoto was at the graduate school graduation exhibition held at Kyoto University of Art and Design.
I had heard that the graduation work of Kurumi Kotani, whose pieces I collected, would also be exhibited, and I had been intrigued by Yamamoto’s work seen on Instagram, so it was a convenient opportunity for me.

View of the Kyoto University of Art and Design Graduate School Graduation Exhibition — Shohei Yamamoto's work on the left, K…
View of the Kyoto University of Art and Design Graduate School Graduation Exhibition — Shohei Yamamoto’s work on the left, Kurumi Kotani’s on the right
Shohei Yamamoto, "reiterate -laocoonte-," 2019
Shohei Yamamoto, “reiterate -laocoonte-,” 2019
Professor Miyazu also gave a critique
Professor Miyazu also gave a critique
* Exhibition using studios — Kyoto University of Art and Design graduation exhibition
* Exhibition using studios — Kyoto University of Art and Design graduation exhibition

KUAD ANNUAL 2019: Spaceship Earth

After the graduation exhibition, there was an opportunity for exhibition at the Tokyo Metropolitan Art Museum at a different venue.
This was the “KUAD ANNUAL 2019: Spaceship Earth” (held February 23-26, 2019), a selective exhibition of undergraduate and graduate students curated by Kyoto Zokei’s Professor Mami Kataoka.

View of the "Spaceship Earth" exhibition at Tokyo Metropolitan Art Museum
View of the “Spaceship Earth” exhibition at Tokyo Metropolitan Art Museum

Production Process

Shohei Yamamoto is a young artist who just graduated from the graduate school of Kyoto University of Art and Design this spring.
His current “Reiterate” series uses self-made rollers to repeat and express images on canvas.

Leaning on the left is his self-made roller* Studio during his graduate school days at Kyoto Zokei
Leaning on the left is his self-made roller
* Studio during his graduate school days at Kyoto Zokei

He makes rollers matching each work’s size, drops paint onto them, and rolls them across the canvas.
The paint transfers to the support, but since it’s a one-shot process, he says his heart races considerably during this time.

Production notes were posted alongside works in the studio.
Production notes were posted alongside works in the studio.

I visited his studio in Osaka and observed his production process.

The roller images are meticulously calculated in his head, in notes, and on the PC.
The roller images are meticulously calculated in his head, in notes, and on the PC.
Large works were in production in the warehouse-like studio space.
Large works were in production in the warehouse-like studio space.

I was allowed to film the production process of the new series on video.

Art Award Tokyo

At “Art Award Tokyo Marunouchi 2019,” held June 5-20, he was named one of 25 artists selected from approximately 11,000 submitted works.

Exhibition view at Gyoko-dori Underpass
Exhibition view at Gyoko-dori Underpass
Shohei Yamamoto, "reiterate -tree lines-," 130×324cm, 2019
Shohei Yamamoto, “reiterate -tree lines-,” 130×324cm, 2019

His work won the Embassy of France in Japan Award, and as a supplementary prize, a solo exhibition in January 2020 was arranged.

HANKYU Art Fair -Neo SEED-

Immediately after Art Award Tokyo, the “HANKYU Art Fair -Neo SEED-” group exhibition was held at Hankyu Umeda Main Store from June 26 to July 1, 2019.
Among the many exhibiting artists, Yamamoto’s work was chosen for the DM (direct mail) design.

Perhaps buoyed by his momentum at Art Award Tokyo, all 11 of his works sold out on the first day. He’s on quite a roll!

Exhibition view
Exhibition view
The frontal work is from the "reiterate-vagueness" series. First shown this time, made by rolling foam urethane.
The frontal work is from the “reiterate-vagueness” series. First shown this time, made by rolling foam urethane.
Left: Shohei Yamamoto, "reiterate-scull(red)," 2019
Left: Shohei Yamamoto, “reiterate-scull(red),” 2019

Yamamoto’s Works from a Collector’s Perspective

As a collector of Yamamoto’s work, I’ve summarized my thoughts on his art.

  1. Painterly Appeal
    His works have concept and originality, standing independently and uniquely as Shohei Yamamoto’s works.
    The production techniques not seen in other artists, combined with the strength of the works, suggests potential to compete internationally.
  2. Design-Oriented Visuals
    Beyond motifs like the Laocoon Group, roller works image expands to include flowers, skulls, letters, and more.
    The rendered images have excellent design-oriented quality.
  3. Complex Matière
    The carefully prepared base impresses greatly. The quality reflects his high skill as a painter. I hope you can see it with your own eyes.
  4. Custom Panels
    He uses custom-made wooden panels with linen-based supports. He’s also particular about the fabric, using double-thread linen.
    The thickness (40mm for F10 size) provides strength to withstand the roller pressure.
  5. Certificate of Authenticity and Shipping
    Because I purchased when he had no representing gallery, he shipped it himself. The handling and packaging were far more careful than average galleries. His treatment, including the custom certificate of authenticity, was superb. I felt the education from Kyoto Zokei was significant.
  6. Price
    He’s a young artist with high growth potential. As an artist still building his career, prices remain accessible.

He also boldly takes on new work series, showing a research-oriented character.
His serious, passionate, and straightforward personality in painting makes him an artist collectors want to support.

First Solo Exhibition

Below is his first solo exhibition, held in Tokyo.

Including the two works submitted at “Art Award Tokyo 2019” mentioned earlier, more than 20 new works were on display in Shohei Yamamoto’s first-ever large-scale solo exhibition.

The exhibition ended with the impressive achievement of all works being sold during its run.

Overview

Shohei Yamamoto Solo Exhibition
What is the “entity”
Dates: July 15 (Mon/Hol) – July 21 (Sun), 2019
Location: MEDEL GALLERY SHU
Hours: 11:00 – 19:00 (until 17:00 on the final day)
Free admission

 

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