exhibition

[Solo Exhibition] Contemporary Japan Painted in Vivid Colors — Yukiko Hata "Summer Ghosts" at Seizan Gallery

【個展】鮮やかな絵の具で描く現代日本〜ハタユキコ「夏の亡霊 」靖山画廊

Yukiko Hata “Summer Ghosts”

We visited Yukiko Hata’s solo exhibition “Summer Ghosts.” The venue was Seizan Gallery in Higashi-Ginza.

Yukiko Hata "Summer Ghosts" venue: Seizan Gallery
Yukiko Hata “Summer Ghosts” venue: Seizan Gallery

Ever since seeing Yukiko Hata’s work at the Yamagata Biennale, she has been an artist on our radar, and we had been looking forward to this solo exhibition — her first in Tokyo in five years.

Installation view
Installation view

Her works are characterized by their vivid, eye-catching colors. Having been selected for the “Holbein” art materials manufacturer’s scholarship, she was reportedly provided with a large amount of expensive paints. The color intensity is noticeably better than her previous paints, and to our eyes it seems to lend a new luminosity to the works.

Yukiko Hata, "Summer Ghosts," 2019, F100
Yukiko Hata, “Summer Ghosts,” 2019, F100
"Refugees," 2017. A work using her older type of paint. The paint has no gloss and gives the impression of a matte painterly…
“Refugees,” 2017. A work using her older type of paint. The paint has no gloss and gives the impression of a matte painterly surface.
A work reworked and re-presented from her past output.
A work reworked and re-presented from her past output.
Installation view
Installation view
Yukiko Hata, "Heaven-Bound"
Yukiko Hata, “Heaven-Bound”
Yukiko Hata, "Washing Away Sorrow"
Yukiko Hata, “Washing Away Sorrow”
Installation view
Installation view
Left: "The Fox Brothel," Right: "Twenty Dissected Cats Killed"
Left: “The Fox Brothel,” Right: “Twenty Dissected Cats Killed”
Installation view — Left: "I Want to Go Home"
Installation view — Left: “I Want to Go Home”
Installation view
Installation view
Installation view — Left: "New Recruit Cat Training"
Installation view — Left: “New Recruit Cat Training”

The captions included background information related to the making of each work.

Some works also contained social messages, and in contrast with the brilliance of the palette, they allowed us to sense Yukiko Hata’s “society as seen through her own eyes.”

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