exhibition

[Solo Show] Meticulous Superflat Paintings — Naoki Yamamoto "Got a Tokarev?" at THE blank GALLERY

【個展】緻密なスーパーフラット絵画〜山本直輝「トカレフ、あります?」THE blank GALLERY

Naoki Yamamoto “Got a Tokarev?”

We visited Naoki Yamamoto’s solo exhibition “Got a Tokarev?” The venue was THE blank GALLERY in Harajuku.

Naoki Yamamoto "Got a Tokarev?" THE blank GALLERY
Naoki Yamamoto “Got a Tokarev?” THE blank GALLERY

Naoki Yamamoto is an artist with a track record of exhibitions at commercial galleries, but he had put his practice on hold for a period, resuming his activities in 2017. This exhibition marks his first solo show at THE blank GALLERY.

Naoki Yamamoto, "Seated Woman with a Line Object, and the Afterimage of a Man" *DM image
Naoki Yamamoto, “Seated Woman with a Line Object, and the Afterimage of a Man” *DM image

At a glance, the works feel highly original.
His method involves faithfully reproducing images first drawn in Adobe Illustrator using acrylic paint on canvas.
He has had no formal art education and has come this far self-taught, yet one can sense the meticulous, detail-obsessed craftsmanship. It makes sense given his background as a dental technician.

Naoki Yamamoto, "Paralyzed," 2019
Naoki Yamamoto, “Paralyzed,” 2019
Installation view
Installation view

What one senses from the painted surface is a flat, unblemished brush stroke. It’s a beautifully finished matière on par with Hitoshi Tsuboyama’s.
We were told he layers the paint about three times to avoid unevenness.
He also apparently never overlaps adjacent colors of paint.

"two" *detail
“two” *detail

You can also see a faint, transparent trace along the sides. On closer inspection, a thin, glossy layer resembling glue becomes visible.
This, we learned, is one of his techniques for keeping the paint from peeling off at the edges.

The sides are treated to secure the paint so it doesn't peel off. "two" *detail
The sides are treated to secure the paint so it doesn’t peel off. “two” *detail
Naoki Yamamoto, "two," 2019
Naoki Yamamoto, “two,” 2019
Installation view
Installation view
Naoki Yamamoto, "Blue Floor"
Naoki Yamamoto, “Blue Floor”
Naoki Yamamoto, "two," 2019
Naoki Yamamoto, “two,” 2019
Naoki Yamamoto, "Mosaic on the Desk"
Naoki Yamamoto, “Mosaic on the Desk”
Installation view
Installation view
Installation view
Installation view
Left: Naoki Yamamoto, "Woman"; Right: Naoki Yamamoto, "Seated Woman with a Line Object, and the Afterimage of a Man"
Left: Naoki Yamamoto, “Woman”; Right: Naoki Yamamoto, “Seated Woman with a Line Object, and the Afterimage of a Man”
Naoki Yamamoto, "White Box"
Naoki Yamamoto, “White Box”
Naoki Yamamoto, "Seated Figure"
Naoki Yamamoto, “Seated Figure”
Left: Naoki Yamamoto, "Splatter"; Right: Naoki Yamamoto, "Mosaic Object"
Left: Naoki Yamamoto, “Splatter”; Right: Naoki Yamamoto, “Mosaic Object”
"Mosaic Object"
“Mosaic Object”
Naoki Yamamoto, "Splatter"
Naoki Yamamoto, “Splatter”

Even with the brushwork remaining flat, the works — where time and space intersect — carry a sense of depth, and we came away with the impression that our own vision was being pleasantly played with.

Translating...