exhibition

[Solo Exhibition] Miko Hara "Self-portrait" at gallery N Kanda Shataku

【個展】原美湖「Self-portrait」gallery N 神田社宅

Miko Hara “Self-portrait”

We visited Miko Hara’s solo exhibition “Self-portrait.” The venue is gallery N Kanda Shataku.

All things change their form over time. Above all, human beings live amid constant, moment-by-moment change. I create my work with the fragility, uncertainty, and beauty of such human existence as its themes. This exhibition presents a new series of photographic works alongside my series of portrait works that resemble droplets of water. For me, artwork is a way to confirm the “now” within passing time, and “life” that exists alongside death. (Miko Hara)

This is a new-work exhibition by Miko Hara centered on the “Portrait” series, in which mirror sheets are applied to 20mm acrylic boards and finished with resin and pigments.

Installation view
Installation view
Installation view — "Self portrait" series, 2019
Installation view — “Self portrait” series, 2019
Miko Hara, "I," inkjet print on acrylic, ED30
Miko Hara, “I,” inkjet print on acrylic, ED30
Miko Hara, "Portrait" — a work featuring her husband Yukimasa Ida as its motif
Miko Hara, “Portrait” — a work featuring her husband Yukimasa Ida as its motif
Miko Hara, "Portrait" — a work featuring one of her students as its motif
Miko Hara, “Portrait” — a work featuring one of her students as its motif
Portrait series works arranged as a relational chart of the individuals who served as motifs
Portrait series works arranged as a relational chart of the individuals who served as motifs
Miko Hara — left: "Today 1/5/2019"; right: "Today 30/4/2019" — resin, newspaper
Miko Hara — left: “Today 1/5/2019”; right: “Today 30/4/2019” — resin, newspaper
Miko Hara, "Memory of the relationship," 2019
Miko Hara, “Memory of the relationship,” 2019

The transparent, luminous quality of the Portrait series left a strong impression.
While the show unfolded across a diverse range of works including other series, it held together with a crisp cohesion, making it a solo exhibition that felt genuinely comfortable to experience.

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