exhibition

[Solo Exhibition] Held in Shanghai — Tomokazu Matsuyama "WESTBUND 2019" at KOTARO NUKAGA

【個展】上海で開催〜松山智一「WESTBUND 2019」KOTARO NUKAGA

Tomokazu Matsuyama “WESTBUND 2019”

We visited the international art fair “West Bund Art & Design” held in Shanghai.
At the booth of the exhibiting gallery KOTARO NUKAGA, works by the internationally acclaimed artist Tomokazu Matsuyama were presented in a solo-exhibition format.

West Bund Art & Design "KOTARO NUKAGA" booth
West Bund Art & Design “KOTARO NUKAGA” booth

Tomokazu Matsuyama is a Japanese artist based in New York.
While drawing his motifs from fashion magazine models, interiors, and quotations from traditional Japanese painting and modern Western painting, and thus offering no originality of subject matter itself, he produces works of such a distinctive character that they can be recognized as Matsuyama’s at a single glance.
By “quoting” and “editing” existing originalities, he generates a new originality.

Installation view
Installation view

His distinctive work titles are said to be drawn directly from song lyrics and applied to the works as they are.

Tomokazu Matsuyama, "Wanderlust Innocence," acrylic and mixed media on canvas, 2019, 261.6x185.4cm
Tomokazu Matsuyama, “Wanderlust Innocence,” acrylic and mixed media on canvas, 2019, 261.6×185.4cm
Tomokazu Matsuyama, "New Life Bonus Track," acrylic and mixed media on canvas, 2019, 254.0x170.2cm
Tomokazu Matsuyama, “New Life Bonus Track,” acrylic and mixed media on canvas, 2019, 254.0×170.2cm
Tomokazu Matsuyama, "Honey Holds Charm Blessings," acrylic and mixed media on canvas, 2019, 137,2cm diameter
Tomokazu Matsuyama, “Honey Holds Charm Blessings,” acrylic and mixed media on canvas, 2019, 137,2cm diameter
Tomokazu Matsuyama, "Close Hand Rules Begin," acrylic and mixed media on canvas, 2019, 137,2cm diameter
Tomokazu Matsuyama, “Close Hand Rules Begin,” acrylic and mixed media on canvas, 2019, 137,2cm diameter
Tomokazu Matsuyama, "Put Off Behind The Mask," acrylic and mixed media on canvas, 2019, 254.0 x 185.4 cm
Tomokazu Matsuyama, “Put Off Behind The Mask,” acrylic and mixed media on canvas, 2019, 254.0 x 185.4 cm
Tomokazu Matsuyama, "Sing It Again Sweet Sunshine," acrylic and mixed media on canvas, 2019, 254.0 x 194.3 cm
Tomokazu Matsuyama, “Sing It Again Sweet Sunshine,” acrylic and mixed media on canvas, 2019, 254.0 x 194.3 cm
Installation view
Installation view
Tomokazu Matsuyama, "Swell Being Yourself," acrylic and mixed media on canvas, 2019, 261.5x185.5cm
Tomokazu Matsuyama, “Swell Being Yourself,” acrylic and mixed media on canvas, 2019, 261.5×185.5cm
Tomokazu Matsuyama, "Daylight In My Place," acrylic and mixed media on canvas, 2019, 254.0x185.4cm
Tomokazu Matsuyama, “Daylight In My Place,” acrylic and mixed media on canvas, 2019, 254.0×185.4cm
Installation view
Installation view
Tomokazu Matsuyama, "The Peak Shine Dawn," acrylic and mixed media on canvas, 2019, 213.4x152.4cm
Tomokazu Matsuyama, “The Peak Shine Dawn,” acrylic and mixed media on canvas, 2019, 213.4×152.4cm
Tomokazu Matsuyama, "Rivals Treble Trouble," acrylic and mixed media on canvas, 2019, 213.4x152.4cm
Tomokazu Matsuyama, “Rivals Treble Trouble,” acrylic and mixed media on canvas, 2019, 213.4×152.4cm
Foreground: Tomokazu Matsuyama, "This is What It Feels Like," FRP, wood, polyurethane and acrylic paint, 2019, 78.7x119.4x83…
Foreground: Tomokazu Matsuyama, “This is What It Feels Like,” FRP, wood, polyurethane and acrylic paint, 2019, 78.7×119.4×83.8cm
The eyes are made of crystal and gleam.
The eyes are made of crystal and gleam.
Hand-painted with acrylic paint.
Hand-painted with acrylic paint.
Rear: Tomokazu Matsuyama, "Mild Rivers My Generations," acrylic and mixed media on canvas, 2019, 152.4cm diameter
Rear: Tomokazu Matsuyama, “Mild Rivers My Generations,” acrylic and mixed media on canvas, 2019, 152.4cm diameter
Installation view
Installation view

The works were almost entirely sold. Large paintings were priced at around 8 million yen, and the sculpture at around 15 million yen — a marked increase from a few years ago. Even the smallest work in the image below carries a price of around 1.5 million yen.

Since being featured on the television program “Jonetsu Tairiku,” inquiries have been pouring in, and most of the buyers were Japanese (according to the gallerist).

At the venue, the works drew considerable attention from visitors, many of whom took photos on their smartphones. Attention from young women in particular seemed especially notable.

Anchored by a sculpture — unusual for Matsuyama — and composed alongside large abstract and figurative paintings, this exhibition offered a superb viewing environment.
A sculpture is currently in production for a public space at Shinjuku Station in Tokyo. This too is something to look forward to.

Shinjuku Station Public Art, Tokyo (2020)
An 8-meter-tall sculpture assembled from 316 pieces of stainless steel is set to emerge from a ground covered in floral patterns.
For this project, at Shinjuku Station — bustling with businesspeople and tourists — the artist will combine the traditional Japanese aesthetic of “kachou-fuugetsu” (the beauty of nature and the seasons) with the site.
Unveiled in the year of the “Tokyo 2020 Olympic and Paralympic Games,” this installation is set to become a new landmark of Tokyo.

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