exhibition

[Special Exhibition] "Surrealist Painting — Dalí, Ernst and Japan's 'Surréal'" at Pola Museum of Art

【企画展】「シュルレアリスムと絵画 ―ダリ、エルンストと日本の「シュール」展」ポーラ美術館

Surrealist Painting

We visited “Surrealist Painting — Dalí, Ernst and Japan’s ‘Surréal’,” held at the Pola Museum of Art.

"Surrealist Painting — Dalí, Ernst and Japan's 'Surréal'" at Pola Museum of Art
“Surrealist Painting — Dalí, Ernst and Japan’s ‘Surréal'” at Pola Museum of Art

Surrealism — one of the art movements that most profoundly shaped 20th-century art — was driven forward by the French poet André Breton.
Focusing on Surrealism, this exhibition zooms in on painting, as its title suggests, tracing the movement from its origins to the emergence of Japan’s own uniquely developed “surréal” expression, and includes works by contemporary artists.

Near the entrance, an eye-shaped object is installed as a homage to works by Max Ernst.
Near the entrance, an eye-shaped object is installed as a homage to works by Max Ernst.
Exhibition view. Photo: Ken Kato
Exhibition view. Photo: Ken Kato

The exhibition included a large number of works by Max Ernst, around ten by Salvador Dalí, and pieces by other major artists such as René Magritte, Joan Miró, and Pablo Picasso (image reproduction was not permitted, so we were unable to introduce them within this article).

Exhibition view
Exhibition view

Surrealism was a movement that rejected the modern belief in reason and pursued a stronger, more insistent form of reality. In Japan, however, the emphasis fell on the “super” of “super-realism” (choougenjitsu shugi), and the term spread with a slightly different nuance: a dreamlike world beyond reality, something detached from the everyday.

Books and materials from the time that introduced Surrealism in Japan
Books and materials from the time that introduced Surrealism in Japan

A number of works by Japanese artists were also on view.

Harue Koga, White Seashells, 1932
Harue Koga, White Seashells, 1932
Exhibition view
Exhibition view
Ei-Q, Prototype of the Sea, 1958
Ei-Q, Prototype of the Sea, 1958
Tohl Narita, First Draft of Ultraman and others — exhibition view. Photo: Ken Kato
Tohl Narita, First Draft of Ultraman and others — exhibition view. Photo: Ken Kato

Special exhibit

As a contemporary Japanese artist referencing Surrealism, Tabaimo was invited for a special exhibition.

Exhibition view
Exhibition view
Tabaimo, ghost runnning series — exhibition view
Tabaimo, ghost runnning series — exhibition view
Wall drawing and Tabaimo. Photo: Ken Kato
Wall drawing and Tabaimo. Photo: Ken Kato

This is the world’s first exhibition to focus on how Surrealist painting emerged out of the Surrealist movement and, from there, how it developed into Japan’s own super-realism.

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