artist

[Studio Visit] Between Material Painting and Painterly Sculpture — Visiting the Studio of Takanosuke Yasui

【アトリエ訪問】物質的な絵画と絵画的な彫刻のあいだ〜安井鷹之介さんのアトリエに訪問

Studio Visit with Takanosuke Yasui

I had the opportunity to visit the studio of Takanosuke Yasui.
The visit took place in mid-February, just before his first solo exhibition “OK Plastic.”

Takanosuke Yasui's studio
Takanosuke Yasui’s studio

Located in the Nippori area of Arakawa Ward, the studio is inside a detached house.

He rents the entire single-family house and lives on the second floor. The first floor is used as his studio.
He rents the entire single-family house and lives on the second floor. The first floor is used as his studio.

Studio Visit in February 2019

This was actually the second time I had visited Yasui’s studio. The previous visit was exactly one year earlier, in February 2019. I was struck by how much the scene had changed since then.

First, let me look back briefly at what it was like then.

Studio scene during the February 2019 visit
Studio scene during the February 2019 visit
Studio scene during the February 2019 visit
Studio scene during the February 2019 visit
Studio scene during the February 2019 visit
Studio scene during the February 2019 visit

Studio Visit in February 2020

Coming just before his first solo exhibition, many works — mainly those to be exhibited — were on display, and I was able to view a densely packed space that included large-scale pieces.

A studio with a large opening facing the street
A studio with a large opening facing the street
Works lined up on the wall. *Includes works not shown in the solo exhibition.
Works lined up on the wall. *Includes works not shown in the solo exhibition.

In autumn 2019, Takanosuke Yasui spent about a month traveling in Europe, where he had time to encounter a great deal of European art. Among them, the works and historical background of Camille Claudel, a disciple of Rodin, particularly moved him, and became the central axis for the works he created for his first solo exhibition.
This exhibition presents works focused on “the sculptor Camille Claudel,” “plasticity,” and “semi-transparent sculpture.”

The center piece, adopted for the exhibition DM: 《The God Gone (Eifman Ballet)》, 2020
The center piece, adopted for the exhibition DM: 《The God Gone (Eifman Ballet)》, 2020
Upper left: 《reservoir》, 2020
Upper left: 《reservoir》, 2020

Yasui graduated from the sculpture department of Tokyo University of the Arts, but compared to before, I felt that flat, two-dimensional works occupy much of his current output.

Cotton cloth with plaster applied to create a base layer
Cotton cloth with plaster applied to create a base layer
Studio scene
Studio scene
《Rodin》, 2020
Takanosuke Yasui in his studio
Takanosuke Yasui in his studio
He apparently produces around 200 works a year. Many pieces were lined up inside the studio.
He apparently produces around 200 works a year. Many pieces were lined up inside the studio.
Many works were stored on the studio's storage shelves.
Many works were stored on the studio’s storage shelves.
Takanosuke Yasui, 《abandoned plastic flowers》, 2020, plaster, cotton cloth, acrylic paint, wooden panel
Takanosuke Yasui, 《abandoned plastic flowers》, 2020, plaster, cotton cloth, acrylic paint, wooden panel

His first solo exhibition, “OK Plastic,” takes its title from Radiohead’s masterpiece album “OK Computer.” As it happens, the concurrently held solo exhibition of Yukimasa Ida — Yasui’s senior at Tokyo University of the Arts — also uses a title borrowed from the same band’s album.
I look forward to seeing the resounding notes that Takanosuke Yasui will play in his first solo exhibition.

First Solo Exhibition — Overview

Takanosuke Yasui
OK Plastic
Venue: MEDEL GALLERY SHU
Dates: Monday, February 17, 2020 – Sunday, February 23, 2020
Hours: 11:00 – 19:00 (until 17:00 on the final day)

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