exhibition

[36th Ueno Royal Museum Grand Prize Exhibition] "Painting Grand Prize Winner: Yohei Yashima Exhibition" at Ueno Royal Museum Gallery

【第36回上野の森美術館大賞展】「絵画大賞受賞者 八嶋洋平 展 」上野の森美術館ギャラリー

The 36th Ueno Royal Museum Grand Prize Exhibition — Painting Grand Prize Winner: Yohei Yashima Exhibition

We visited the solo exhibition of Yohei Yashima, who won the Grand Prize at the 36th Ueno Royal Museum Grand Prize Exhibition. The venue was the Ueno Royal Museum Gallery.

Ueno Royal Museum Gallery
Ueno Royal Museum Gallery

Yohei Yashima seems to express human emotions by casting plastic figurines as protagonists in his work.

Yohei Yashima, "Plastic Girl," 2018 *Prize-winning work
Yohei Yashima, “Plastic Girl,” 2018 *Prize-winning work
Yohei Yashima, "Plastic Girl," 2016
Yohei Yashima, “Plastic Girl,” 2016
Yohei Yashima, "Mask I" and "Mask II," 2019
Yohei Yashima, “Mask I” and “Mask II,” 2019
Yohei Yashima, "Wave hands," 2019
Yohei Yashima, “Wave hands,” 2019
Yohei Yashima, "Heart" and "Head," 2019
Yohei Yashima, “Heart” and “Head,” 2019
Yohei Yashima, "Wall," 2019
Yohei Yashima, “Wall,” 2019
Installation view
Installation view
Yohei Yashima, "Plastic Woman," 2019
Yohei Yashima, “Plastic Woman,” 2019
Yohei Yashima, "Plastic Man," 2019
Yohei Yashima, “Plastic Man,” 2019

“Plastic Woman” and “Plastic Man” were produced by Yohei Yashima after his period of study in Germany, taking as their motif a couple torn apart by the Berlin Wall.

Installation view
Installation view

The businessman in a suit painted on the front of “Plastic Man” stands for the East, while the figurine placed on the back represents the West.

"Plastic Woman" *shot from the back of the work
“Plastic Woman” *shot from the back of the work

Yashima was reportedly shocked to learn that on the East Berlin side people were shot dead for approaching the wall, while on the West side people would sunbathe right beside it.

Yohei Yashima, "Door post," 2019
Yohei Yashima, “Door post,” 2019
Yohei Yashima, "Door post" *Detail
Yohei Yashima, “Door post” *Detail
Installation view
Installation view
Yohei Yashima, "Hand clip," 2019
Yohei Yashima, “Hand clip,” 2019
Yohei Yashima, "Piercing Through"
Yohei Yashima, “Piercing Through”

For all their pop sensibility — figurines and all — Yohei Yashima’s works carry a suggestive depth that rewards close and sustained looking. His concurrent exhibition at Seizan Gallery is also worth checking out.

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