exhibition

[Solo Exhibition] Yasumasa Morimura "EGO OBSCURA TOKYO 2020 – In the Wilderness of Nippon" at Hara Museum of Contemporary Art

【個展】森村泰昌「エゴオブスクラ東京2020―さまよえるニッポンの私」原美術館

Yasumasa Morimura: EGO OBSCURA TOKYO 2020 – In the Wilderness of Nippon

I visited Yasumasa Morimura’s solo exhibition “EGO OBSCURA TOKYO 2020 – In the Wilderness of Nippon.”
The venue is Hara Museum of Contemporary Art.

Hara Museum of Contemporary Art
Hara Museum of Contemporary Art

Yasumasa Morimura is known for his self-portrait works in which he transforms himself into figures from masterpiece paintings, characters from films, and historical personages. Through skilled makeup and costuming, he embodies a wide range of figures across eras, races, and genders, adding his own interpretation of the originals and their backgrounds through his production.

Yasumasa Morimura, "The Room of Ego Obscura 2018-2020," 2018-2020
Yasumasa Morimura, “The Room of Ego Obscura 2018-2020,” 2018-2020
Yasumasa Morimura, "Self-Portrait with a Mirror," 1994
Yasumasa Morimura, “Self-Portrait with a Mirror,” 1994
Exhibition view
Exhibition view
Yasumasa Morimura, "Modern Olympia 2018," 2018
Yasumasa Morimura, “Modern Olympia 2018,” 2018
Yasumasa Morimura, "Portrait (Twins)," 1988-90
Yasumasa Morimura, “Portrait (Twins),” 1988-90
Yasumasa Morimura, "Theater," 2020
Yasumasa Morimura, “Theater,” 2020
Yasumasa Morimura, "The Room of Olympia," 1988-2018
Yasumasa Morimura, “The Room of Olympia,” 1988-2018
Exhibition view
Exhibition view

Left: Yasumasa Morimura, "Costume for Marilyn at Komaba," 1995Right: Yasumasa Morimura, "Costume for the Season of Blazing F…
Left: Yasumasa Morimura, “Costume for Marilyn at Komaba,” 1995
Right: Yasumasa Morimura, “Costume for the Season of Blazing Fire,” 2006
Yasumasa Morimura, "A Requiem for Someone (MISHIMA 1970.11.25-2006.4.6)," 1970
Yasumasa Morimura, “A Requiem for Someone (MISHIMA 1970.11.25-2006.4.6),” 1970
Exhibition view
Exhibition view

The approximately 50-minute video work “EGO OBSCURA” deepens one’s understanding of this exhibition.
The show was quintessentially Morimura in its strong message asking, “What is ‘the wandering self of Japan’?”

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