exhibition

[Solo Exhibition] First Foray into Oil Painting — Yusuke Asai "Gimme Something to Eat" at ANOMALY

【個展】初の油彩に挑戦〜淺井裕介「なんか/食わせろ」ANOMALY

Yusuke Asai “Gimme Something to Eat”

I visited Yusuke Asai’s solo exhibition “Gimme Something to Eat” at ANOMALY.
When you step off the elevator, you are greeted by his signature mud paintings.

ANOMALY
ANOMALY
Installation view
Installation view
Yusuke Asai, "That Island Still Had No Words," 2020, 367 x 444.2 cm
Yusuke Asai, “That Island Still Had No Words,” 2020, 367 x 444.2 cm
Yusuke Asai, "Wild Star," 2019, acrylic, deer blood, and ink on canvas, 183 x 295.8 cm
Yusuke Asai, “Wild Star,” 2019, acrylic, deer blood, and ink on canvas, 183 x 295.8 cm

“Wild Star” is painted using deer blood, and it can be exchanged with the central section of the large work “That Island Still Had No Words,” allowing viewers to enjoy swapping the two.

"Footsteps of Life," 2019, previously shown at the Yokohama Museum of Art
“Footsteps of Life,” 2019, previously shown at the Yokohama Museum of Art
Installation view  Yusuke Asai, "Margins of a Story 1," 2017…
Installation view
Yusuke Asai, "Margins of a Story 1," 2017-2020
Yusuke Asai, “Margins of a Story 1,” 2017-2020

Yusuke Asai, "Ceaselessly Changing," 2020
Yusuke Asai, “Ceaselessly Changing,” 2020
Left: Yusuke Asai, "Letter from a World Without Words 1," 2020Right: Yusuke Asai, "Letter from a World Without Words 2," 2020
Left: Yusuke Asai, “Letter from a World Without Words 1,” 2020
Right: Yusuke Asai, “Letter from a World Without Words 2,” 2020
Left: Yusuke Asai, "Growth Rings of the Earth 1," 2020
Left: Yusuke Asai, “Growth Rings of the Earth 1,” 2020
Left: Yusuke Asai, "Growth Rings of the Earth 2," 2020Right: Yusuke Asai, "We Will Someday Become Land," 2020
Left: Yusuke Asai, “Growth Rings of the Earth 2,” 2020
Right: Yusuke Asai, “We Will Someday Become Land,” 2020

A First Challenge with Oil Paint

This exhibition featured the first-ever oil paintings by Yusuke Asai.

Asai is known for his practice of using naturally derived materials, beginning with mud paintings.
A visit to the studio of painter Masato Kobayashi sparked a chain of connections — his work using deer blood, his activities at Tama Art University, and various other recent endeavors all converged, leading him to try oil paints.

Installation view — oil paintings
Installation view — oil paintings
Yusuke Asai, "Scent of a Distant Continent," 2020, oil on canvas
Yusuke Asai, “Scent of a Distant Continent,” 2020, oil on canvas
Yusuke Asai, "Always, Forever Alive," 2020, oil on canvas
Yusuke Asai, “Always, Forever Alive,” 2020, oil on canvas
Yusuke Asai, "The Story of a Single Leaf," 2020, oil on wood panel
Yusuke Asai, “The Story of a Single Leaf,” 2020, oil on wood panel
Yusuke Asai, "Still Not Done Playing," 2020, oil and charcoal on canvas
Yusuke Asai, “Still Not Done Playing,” 2020, oil and charcoal on canvas
Installation view
Installation view

Some of the oil paints used in these works were passed on to Asai by Masato Kobayashi. Asai plans to continue producing oil paintings going forward.

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