exhibition

[SICF21] Painted with the Original Technique "Bakugan": Watch Out for Baku Kiyokawa!

【SICF21】独自の技法「獏嵌」で描く〜清川漠に注目!

SICF

SICF (Spiral Independent Creators Festival) is an open-call art event launched in 2000 by Spiral, the multi-purpose cultural complex in Omotesando, with the aim of discovering and supporting young creators.

For this 21st edition, SICF21 brought together 85 groups of creators selected through open call from a wide range of genres, presenting sculpture and installation, painting, media art, fashion, performance, and works that transcend these existing categories.

SICF (Spiral Independent Creators Festival) 21
SICF (Spiral Independent Creators Festival) 21

Baku Kiyokawa

At SICF21, we turned our attention to Baku Kiyokawa, who exhibited in Booth 11 of the B schedule.

Exhibiting at B-schedule Booth 11: Baku Kiyokawa
Exhibiting at B-schedule Booth 11: Baku Kiyokawa

Baku Kiyokawa’s works are made using a technique she calls “Bakugan.”
“Bakugan” is a method in which grooves are carved from the reverse side of an acrylic panel and then colored with acrylic paint.
She creates her works with an emphasis on momentum and a sense of speed.

Installation view
Installation view

A graduate of Joshibi University of Art and Design, Baku Kiyokawa broadly studied painting, sculpture, and printmaking, and developed a fabrication technique that fuses these disciplines together.
She has also said that the bonsai, which serves as her central motif, was chosen as a symbol that lends itself to sculptural treatment.

Baku Kiyokawa, BONSAI, 2020, 420×297×2mm, materials: acrylic panel, acrylic paint
Baku Kiyokawa, BONSAI, 2020, 420×297×2mm, materials: acrylic panel, acrylic paint
Baku Kiyokawa, BONSAI, 2020, 420×297×2mm, materials: acrylic panel, acrylic paint
Baku Kiyokawa, BONSAI, 2020, 420×297×2mm, materials: acrylic panel, acrylic paint

At first glance the imagery of the work looks digitally processed, but viewing the back of the work reveals part of the fabrication technique.

Photographed from the reverse side of the work — the traces of paint are clearly visible.
Photographed from the reverse side of the work — the traces of paint are clearly visible.
The same work photographed from the front
The same work photographed from the front
Installation view
Installation view

Recently, she has also been focusing on abstract works.
Two pieces sized to evoke hanging scrolls were on display.

Left: Baku Kiyokawa, Uhi (Flying Rain), 2020, 400×1450×43mm, acrylic panel, acrylic paint, wooden panel on the back Right: B…
Left: Baku Kiyokawa, Uhi (Flying Rain), 2020, 400×1450×43mm, acrylic panel, acrylic paint, wooden panel on the back
Right: Baku Kiyokawa, Hiu (Rain Flight), 2020, 400×1450×43mm, acrylic panel, acrylic paint, wooden panel on the back

 

In 2020, she has several other exhibition opportunities lined up in December.
We will be watching her future activities with great interest.

Translating...