exhibition

[Solo Exhibition] An Artistic Inquiry Born from Algorithms — Ibuki Minami "RISING" at Seibu Shibuya

【個展】アルゴリズムからの美術探究〜南依岐 「RISING」 西武渋谷

Ibuki Minami “RISING”

I visited Ibuki Minami’s solo exhibition “RISING.”
The venue is Seibu Shibuya. It is her second solo exhibition in Japan, following her 2019 show at Miura Jiro Gallery.

Ibuki Minami "RISING," Seibu Shibuya, Building B, 8F
Ibuki Minami “RISING,” Seibu Shibuya, Building B, 8F

Ibuki Minami’s practice is carried out through the technique she calls algorithm.

A canvas with the algorithm inscribed on it — this piece was exhibited and sold as a work that simply transfers the algorith…
A canvas with the algorithm inscribed on it — this piece was exhibited and sold as a work that simply transfers the algorithm onto canvas.

The algorithm is a symbolic notation into which she distills the finished image she envisions before painting. What art-makers normally hold in their minds she instead translates into signs, laying them out openly on the canvas.

These signs can only be deciphered by the artist herself. Example: “OPR” is short for Operation.

According to her, not all of her works are algorithmized, and the meaning of the signs is never disclosed to the viewer.

A work based on the algorithm
A work based on the algorithm
Ibuki Minami, Path to Future, 2020
Ibuki Minami, Path to Future, 2020

The show includes roughly 200 works overall, including mid-run rotations, and sales — from small pieces to large-scale works — were extremely strong.

Installation view — a display centered on large-scale works
Installation view — a display centered on large-scale works
Installation view — size 0 pieces were priced at 50,000 yen (excluding tax).
Installation view — size 0 pieces were priced at 50,000 yen (excluding tax).
Installation view
Installation view
Installation view
Installation view
Ibuki Minami, 80-90%, 2020
Ibuki Minami, 80-90%, 2020
80-90% — part of the rain series, titled after the day's chance of precipitation. Left exposed to the rain, with the paint p…
80-90% — part of the rain series, titled after the day’s chance of precipitation. Left exposed to the rain, with the paint peeling from the canvas.
Ibuki Minami, Impulse, 2020
Ibuki Minami, Impulse, 2020
Impulse (Detail) — the canvas is burned, and crushed crayon is fixed to its surface.
Impulse (Detail) — the canvas is burned, and crushed crayon is fixed to its surface.
Installation view
Installation view
Installation view
Installation view

Installation view

Going forward, she plans to build her foundation through further exhibitions in Japan while actively expanding overseas — including the United States, where she studied for five years.

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