exhibition

[Special Exhibition] Kenjiro Okazaki "TOPICA PICTUS Kozaka-honmachi" at Toyota Municipal Museum of Art

【特集展示】岡﨑乾二郎「TOPICA PICTUS こざかほんまち」豊田市美術館

Kenjiro Okazaki “TOPICA PICTUS Kozaka-honmachi”

The solo exhibition “Kenjiro Okazaki — Reconstruction of Vision,” held at the Toyota Municipal Museum of Art from November 2019 through the end of February 2020, is still fresh in memory. Now the special exhibition “Kenjiro Okazaki: TOPICA PICTUS Kozaka-honmachi” has opened.

Installation view
Installation view

As if timed to coincide with the end of that solo exhibition, the world was subsequently plunged into a crisis and anxiety of an unimaginable magnitude. Unable even to go outside, Kenjiro Okazaki shut himself in his studio and, from March through June, intensively produced a painting series of over 150 works titled “TOPICA PICTUS.”

“Just as there are many places in the world, and countless topics (topica, in Aristotle’s sense) worth thinking about, each painting is made in response to its own unique problem, its own particular place.” That is what “makes each painting singular, and it is the network of these countless places that weaves the world together.”

Kenjiro Okazaki, "Seeing with fingers, Mary of Burgundy / Obsecro te Domina Sancta Maria," acrylic on canvas, 2020, collecti…
Kenjiro Okazaki, “Seeing with fingers, Mary of Burgundy / Obsecro te Domina Sancta Maria,” acrylic on canvas, 2020, collection of the artist, photo: Shu Nakagawa
Installation view
Installation view
Kenjiro Okazaki, "The vital breath given off by trees and the scent of damp moss / A train window," acrylic on canvas, 2020,…
Kenjiro Okazaki, “The vital breath given off by trees and the scent of damp moss / A train window,” acrylic on canvas, 2020, collection of the artist, photo: Shu Nakagawa
Kenjiro Okazaki, "The Monkey Mind and the Idea Horse / Facing the Wall," acrylic on canvas, 2020, collection of the artist, …
Kenjiro Okazaki, “The Monkey Mind and the Idea Horse / Facing the Wall,” acrylic on canvas, 2020, collection of the artist, photo: Shu Nakagawa
Kenjiro Okazaki, "Aletheia / An overflow from the River Lethe," acrylic on canvas, 2020, collection of the artist, photo: Sh…
Kenjiro Okazaki, “Aletheia / An overflow from the River Lethe,” acrylic on canvas, 2020, collection of the artist, photo: Shu Nakagawa
Kenjiro Okazaki, "Swimming in sound (with both ears and mouth) / Peuples de la mer," acrylic on canvas, 2020, collection of …
Kenjiro Okazaki, “Swimming in sound (with both ears and mouth) / Peuples de la mer,” acrylic on canvas, 2020, collection of the artist, photo: Shu Nakagawa
Kenjiro Okazaki, "The rolling hills and The clouds / The horse-chestnut tree of Wang Mang's era," acrylic on canvas, 2020, c…
Kenjiro Okazaki, “The rolling hills and The clouds / The horse-chestnut tree of Wang Mang’s era,” acrylic on canvas, 2020, collection of the artist, photo: Shu Nakagawa
Kenjiro Okazaki, "Bambino / From here on the passage to rebirth / The absence of the visual contact," acrylic on canvas, 202…
Kenjiro Okazaki, “Bambino / From here on the passage to rebirth / The absence of the visual contact,” acrylic on canvas, 2020, collection of the artist, photo: Shu Nakagawa
Installation view
Installation view
Kenjiro Okazaki, "Cherub / A lightning bolt bursts and moves like a flash of light," acrylic on canvas, 2020, collection of …
Kenjiro Okazaki, “Cherub / A lightning bolt bursts and moves like a flash of light,” acrylic on canvas, 2020, collection of the artist, photo: Shu Nakagawa
Kenjiro Okazaki, "The calf-bearer / Moschophoros drops his burden," acrylic on canvas, 2020, collection of the artist, photo…
Kenjiro Okazaki, “The calf-bearer / Moschophoros drops his burden,” acrylic on canvas, 2020, collection of the artist, photo: Shu Nakagawa
Kenjiro Okazaki, "A leap in the temple / In Minoan chronology," acrylic on canvas, 2020, collection of the artist, photo: Sh…
Kenjiro Okazaki, “A leap in the temple / In Minoan chronology,” acrylic on canvas, 2020, collection of the artist, photo: Shu Nakagawa

 

This painting series “TOPICA PICTUS” is being shown in a distributed manner, split across the Toyota Municipal Museum of Art and several other venues at staggered times. (Its full scope, as a placeless place, is compiled in the art book “TOPICA PICTUS,” which is the only setting in which the whole can be seen.)

Each individual painting is a painting unto itself, and by holding fast to that fact, while being here in this place, it also harbors a special place that opens onto another place. (In the essays distributed at the venue, written in response to each individual work, you can trace the flow of the artist’s own thinking through the creative process.)

Just as countless places weave the world together, the paintings displayed at each location bring forth their own place, giving rise to a world through networks. We invite you to encounter each of these special places, one by one, here at the Toyota Municipal Museum of Art.

Installation view
Installation view

*All images courtesy of Toyota Municipal Museum of Art.

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