Anselm Kiefer “The Seven Heavenly Palaces 2004–2015”
I visited Anselm Kiefer’s “The Seven Heavenly Palaces 2004–2015.”
The venue is Pirelli HangarBicocca in Milan, Italy.
Installed at the museum’s opening in 2004, it remains open to the public today.
That text depicts a symbolic spiritual journey toward drawing near to God, and Kiefer reinterprets it in a contemporary context.
His work takes as its themes the history and cultural memory of postwar Germany, and humanity’s spiritual quest.
The seven towers are each reinforced-concrete structures 14–18 meters tall and weighing 90 tons, with seven placed in all.
The towers are built from modules shaped like shipping containers, with lead books and wedges inserted at each level.
It’s a space that unfolds on an overwhelming scale.






