I visited “A Universal Master,” a large-scale solo exhibition of the Colombian artist Fernando Botero. The venue is Palau Martorell in Barcelona.Exterior of Palau MartorellThe Botero works on show unfold across diverse media — oil painting, sculpture, watercolor, sanguine, charcoal, and pencil drawing. Over 110 works are displayed across the three floors of galleries at Palau Martorell. Many are on loan from private collections, including numerous works never publicly shown before.Installation viewThe exhibition is organized into 10 thematic sections, introducing Botero’s artistic world from many angles. It includes reinterpretations of masterpieces of Western art, depictions of Latin American culture, religious inquiry, and studies of still life — and it also probes deeply into the social and political themes he engaged with, such as violence in Colombia and torture at Abu Ghraib prison.Exhibition view
Exhibition viewOne of the show’s highlights is “La Menina, According to Velázquez.”La Menina, According to Velázquez, oil, 198 × 160 cmThis work had long been kept in Botero’s Paris studio and is being shown publicly for the first time here.La Menina, According to Velázquez (detail)Also, the precious work “Homenaje a Mantegna,” unseen for over 40 years, was specially displayed for this exhibition.From an exhibition view — right: Homenaje a MantegnaThe reasons Botero is a respected presence in contemporary art go beyond his style alone.
While he said “art should evoke joy,” he was also unafraid to use his work as a vehicle for social messages. His series depicting violence and human suffering are highly regarded as rare examples fusing aesthetic beauty with deep political engagement. He also donated many works, especially in his home country of Colombia, embodying a sincere stance toward his own art and influence.